Brecht's Caucasian Chalk Circle premieres in Szeged: A timeless tale of justice and love
Bertolt Brecht's The Caucasian Chalk Circle debuts today at Kisszínház, the smaller stage of the Szeged National Theater. Directed by Márk Tárnoki, this production delves into themes of responsibility and moral decision-making amidst political upheaval.
Set in war-torn Georgia, the story begins with the overthrow and assassination of Governor Georgi Abashvili during a coup. Amidst the ensuing chaos and civil war, the city falls into turmoil, mirroring the broader disorder of the times. The plot culminates in a pivotal trial featuring the "chalk circle," a test of true parental love inspired by the wisdom of King Solomon, which ultimately decides the child's rightful guardian.
The narrative centers on Grusha Vashnadze, a compassionate maid who rescues the governor’s abandoned son, Michael, after his mother, Natella Abashvili, flees for her own safety. Grusha raises the child with unwavering devotion, only to face a legal battle years later when Natella seeks to reclaim him – not out of maternal love but to secure his inheritance. The trial, overseen by the eccentric and corrupt judge Azdak, concludes with the chalk circle test, revealing Grusha’s selfless love as the true mark of motherhood.
This Szeged production highlights the moral dilemmas individuals face in turbulent times, encouraging the audience to reflect on pressing societal and ethical questions. The story spans numerous locations and involves fifty characters, yet it is brought to life by just eleven actors. Some performers tackle up to ten roles across the two acts, showcasing remarkable versatility. Director Márk Tárnoki employs innovative techniques to depict the child, Michael. At times, he is portrayed by an adult – singer-narrator Botond Lelkes – while at others, he is symbolized by a simple rolled-up overcoat. Lelkes also composed the play's musical elements, further enhancing its emotional depth through his dual role as performer and musician.
The set and costumes, designed by Anna Molnár, incorporate contemporary aesthetics with stylized elements, placing this timeless tale within a modern context. The creative team seeks to spark the audience’s imagination while remaining true to Brecht’s vision of theater as a medium for critical thought rather than mere illusion.
This marks the first performance of The Caucasian Chalk Circle in Szeged, offering a fresh and resonant interpretation of Brecht’s classic. Scheduled for multiple showings, this thought-provoking production provides ample opportunity for audiences to experience its powerful message and striking artistry.
Performed in Hungarian and rich in dialogue, the play is best suited for those with a strong grasp of the language.
