“Patkányfogó Projekt” revealed for theater professionals and media

NewsCulture

Dec 24

Szeged, Hungary – The Kövér Béla Puppet Theatre presented exclusive rehearsals of its new production, Patkányfogó Projekt (The Rat Catcher Project), for theater professionals and the media last Friday. Directed and written by Péter Varsányi, this existentialist thriller reimagines the Pied Piper of Hamelin legend with elements of sexuality, violence, and societal collapse woven into its exploration of human nature and existential themes. The general public premiere is set for May 2025.

Part of the theater's How Old Is the Captain? series showcasing experimental works for adults, Patkányfogó Projekt blurs the lines between puppetry, live theater, and film. The intricately detailed set features 92 building façades that bring the medieval town of Hamelin to life, complemented by approximately 20 marionettes manipulated by four puppeteers – three performing speaking roles. A live camera system offers a unique perspective, projecting the Rat Catcher’s point of view onto a large screen above the stage.

The production delves deep into themes of existential despair, societal inertia, and the tension between appearance and reality. With its grotesque and surreal atmosphere, it reflects on contemporary struggles while challenging the audience’s perceptions of freedom, morality, and power.

“Creating this production was one of the most significant artistic challenges of my career,” said Péter Varsányi, emphasizing the complexity of integrating existential themes with the puppetry medium. Sára Luca Jeli’s stunning set design and the expert performances of puppeteers Jolán Balasi, Jankó Schneider, Hajnalka Nikodémusz, and Tamás Presits elevate the experience into a haunting and visceral spectacle.

Ágnes Kiss, the Kövér Béla Puppet Theatre’s director, hailed the production as a milestone for the institution. Following its May 2025 debut, Patkányfogó Projekt is expected to tour Hungarian and international festivals, cementing its reputation as a bold and transformative work in contemporary puppet theater.

The play is currently performed in Hungarian, but there are plans to translate or subtitle it to make it accessible to international audiences in the future.